The first spy thriller to be released in the genre, “The Girl with the Dragon Tattoo,” is a great start for the new thrillride.
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In Dynamite’s James Bond: Himeros #1, James Bond embarks on a new journey, and with Daniel Craig’s No Moment to Die swan song in cinemas, now is the ideal time to give 007 another chance. Himeros is a wonderful jumping-on point for novice readers, written by Rodney Barnes and illustrated by Antonio Fuso, with colors by Adriano Augusto and lettering by Social Myth Studios. The issue begins by laying out the entire mission setup and background on all of the major players in a straightforward, if slightly boring, manner, and while things pick up significantly once Bond enters the picture, the art style occasionally gets in the way and prevents the issue from reaching its full potential. It does, however, have all of the elements for a fantastic Bond story, and this is a good start.
The introduction of the villain’s most deadly weapon, which in this instance turns out to be a guy called Kino, sets the tone for Bond’s next adventure. Kino’s self-narrated first volley succeeds in establishing him as a deadly force.
This first chapter is an excellent method to introduce Kino as a legitimate competitor to Bond, but although the art style and coloring technique complement the general tone of the book, the individual panels are sometimes unclear. Because of the way the sequence was set out, I sometimes had to go back and check panels to make sure I understand all that was going on.
Throughout the issue, the figures seem clumsy, and there isn’t a lot of emotion. Even yet, there are some moments, particularly when the shootout at the home begins. The sound effects in the scenarios assist to make those moments seem bigger than life, and the on-the-fly action is exciting, even when Bond isn’t there. Also, that final scene seems to be very scary, yet all readers see are sunglasses—quite an accomplishment.
On the surface, this is a classic Bond narrative, with a fight raging behind the scenes between deadly enemies while another conflict rages in the open, and Bond’s goal is to bring the one person they’re all after in alive. In reality, Sarah Richmond is the driving force behind this issue, and she’s a wonderful contrast for Bond in the short time we get to see them together. Way pair may very easily become fan favorites if she continues to lead the charge like this. She’s equally as deadly and resourceful as he is, and the additional intrigue of her boss’s affairs (which got her into this situation) might be a great way to give her character even more complexity.
Bond, on the other hand, is a minor character in this narrative so far, but he’s fascinating while he’s in it. It would be interesting to watch how he responds when he eventually interacts with Kino, as well as how the wider scale war affects the mission. What we have here is really solid.
While James Bond: Himeros didn’t blow me away, it was nonetheless an exciting espionage thriller with an engaging cast. The graphics weren’t really my taste, but they did a good job of communicating the necessary information until the gunfights, which had that Bond action flare, could truly take off. Overall, there’s a lot to like here for Bond fans, and I’m interested enough to read the next issue.
Dynamite Entertainment is the publisher.
Rodney Barnes is the author of this piece.
Antonio Fuso’s artwork
Adriano Augusto did the colors.
Social Myth Studios’ letters
Francesco Francavilla designed the cover.
The solid starts feeding schedule is a new spy thriller that has a good start. It is a story about a woman whose job it is to feed information to the CIA, but she becomes disillusioned and decides to take matters into her own hands.
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